Behringer Eurorack Ub1832fx Pro User Manual

  1. Behringer Eurorack Ub1832fx-pro Manuale
  2. Behringer Eurorack Ub1832fx-pro Mixer Manual
  3. Behringer Eurorack Ub1832fx-pro Manual
  4. Behringer Eurorack Ub1832fx-pro Price

Page 12: Ub2442fx, Digital effects processor, Rear panel connectors

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12

EURORACK UB1622FX

-PRO

Oct 05, 2016  This is a follow up tutorial, I originally did a tutorial on live sound mixing on the Behringer 1204FX small format mixer, this tutorial is on the larger UB2222FX-Pro mixer, still a. Eurorack ub1622fx, Ub1832fx, Ub2222fx – Behringer UB1622FX-PRO User Manual Page 5: Ub2442fx, Control elements and connectors.

/UB1832FX

-PRO

/UB2222FX

-PRO

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question somewhat in order to avoid feedback. The graphic

stereo equalizer has to be turned on in order to use this function.

+

Logically, at least one (ideally several) microphone

channels have to be open for feedback to occur at all!

Feedback is particularly common when stage monitors

(“wedges”) are concerned, because monitors project sound in

the direction of microphones. Therefore, you can also use the

FBQ Feedback Detection for monitors by placing the equalizer in

the monitor bus (see MAIN MIX/MONITOR).

4. DIGITAL EFFECTS PROCESSOR

99 ORIGINAL VIRTUALIZER

®

PRESETS

Here is an overview of all of the multi-effects

processor’s presets. This effects module gives you

various standard effects, such as reverb, chorus,

Behringer Eurorack Ub1832fx Pro User Manual

flanger, delay and various combination effects that

have already shown what they can do in our 19'

effects processor, the VIRTUALIZER PRO DSP2024P. The aux

send FX in the channels and the aux send FX master control

allow you to feed the effects processor with signals.

Fig. 4.1: Digital effects module

The built-in stereo effects processor has the advantage that it

does not need to be wired up. This excludes the danger of

humming or level mismatch right from the start and thus

considerably facilitates use.
FX parallel

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These effect presets are classical “mixing effects”. If you

move the STEREO AUX RETURN FX control, you mix the channel

signal (dry) and the effect signal. You can control the balance

between the two signals with the channel fader and the STEREO

AUX RETURN FX control.
INS(ERT) FX (NO CH. ROUTING)

The right column contains effect presets that are used for

complete signal processing. This should not be confused with

adding an effect to a dry channel signal. If you are using these

presets, you should not route the “dry” channel to the main bus

or the subgroups (MAIN switch and SUB switch next to channel

fader). Instead, you should route only the effects signal to the

main mix or subgroups (STEREO AUX RETURN FX control).
FX OUT

Mixing consoles UB2222FX-PRO and UB2442FX-PRO have a

separate output for the effects device, which is unbalanced and

stereo (tip = left signal; ring = right signal; sleeve = ground/

shielding). Thus, you can record, for example, a vocal track

enhanced with reverb in parallel to a “dry” vocal track; when

doing the mix-down later on, you can freely determine the amount

of reverb added.

+

The UB2442FX-PRO has the effect output on the rear,

UB2222FX-PRO has it located next to the aux sends

on the front panel.

FX FOOTSW.

Connect a standard foot switch to the foot switch jack and

use this to switch the effects processor on and off. A light at the

bottom of the display indicates wheater the effects processor

has been muted by the foot switch.

+

In Chapter 6.2 you will find an illustration showing

how to connect your foot switch correctly.

LEVEL

The LED level meter on the effects module should display a

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sufficiently high level. Take care to ensure that the clip LED only

lights up at peak levels. If it is lit constantly, you are overloading

the effects processor and this could cause unpleasant distortion.
PROGRAM

You can select the effect preset by turning the PROGRAM

control. The display flashes with the number of the current preset.

To recall the selected preset, press on the button; the flashing

stops. You can also recall the selected preset with the foot

switch.

5. REAR PANEL CONNECTORS

Behringer Eurorack Ub1832fx-pro Manuale

5.1 Main mix outputs, insert points and

control room outputs

Fig. 5.1: Main Mix outputs, main mix insert points and

control room outputs

MAIN OUTPUTS

Behringer Eurorack Ub1832fx-pro Mixer Manual

The MAIN outputs carry the MAIN MIX signal and are on

balanced XLR jacks with a nominal level of +4 dBu. In parallel

with this, 1/4' phone jacks carry the main mix signal in a balanced

format (UB1622FX-PRO: here, the phone jack outputs are

unbalanced and located on the front panel).
CONTROL ROOM OUTPUTS (CTRL OUT)

The control room output is normally connected to the monitoring

Behringer Eurorack Ub1832fx-pro Manual

system in the control room and carries the stereo mix or, when

selected, the solo signals.
MAIN INS(ERTS) (UB2442FX-PRO only)

These are the insert points for the main mix. In the signal path,

they are post-main mix amp, but pre-main fader(s). Use them to

insert, for example, a dynamics processor or graphic equalizer.

Please also note the information on insert points in chapter 5.3.

5.2 Subgroup outputs

Fig. 5.2: Subgroup outputs

SUB OUTPUTS

Behringer Eurorack Ub1832fx-pro Price

The subgroup outputs are unbalanced and provide the mix of

those channels assigned to each subgroup with the SUB switch

(UB2442FX-PRO: switches 1-2 or 3-4) next to the channel faders.

Thus, you can, for example, route a subgroup to a second console

5. REAR PANEL CONNECTORS

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