Arri Alexa Mini User Manual Pdf
Digital 35 mm camera options
Compact ARRI ALEXA cameras
ALEXA Mini
- Lightweight carbon and titanium construction
User Manual ARRI ALEXA For ALEXA Software Update Packet 5.0. ARRI ALEXA or ARRI ALEXA PLUS camera with ARRI EVF-1 electronic viewfinder Camera software update packet (SUP): 5.0. ALEXA features a unique user interface, designed to make camera operation easier than ever, while giving easy access to a large number of.
- ARRI ALEXA Mini; ARRI ALEXA XT Plus; ARRI ALEXA XT B+W; ARRI ALEXA Plus 4:3. 26 Nov 2012 ALEXA SUP 7.0 User Manual Download (pdf, 9.71 MB) 30 Jan 2013 ALEXA Release Notes SUP. (pdf, 8.42 MB) Technical Information. 08 Dec 2011 ALEXA FAQ SUP 5.0 Download (pdf, 2.57 MB) 22 Feb 2011 Metadata in the ALEXA Download (pdf, 361 KB) 11 Dec 2012.
- An ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body.
- Frame rates of 0.75 - 200 fps
- In-camera ProRes and ARRIRAW recording
ALEXA M
- Camera head separated from camera body
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Arri Alexa Mini For Sale
- Good choice for multi-camera rigs
- Also available as ALEXA M SXT
Studio-style ARRI ALEXA cameras
ALEXA SXT
- Multiple recording and media options
- Improved image quality and look management
- ALEXA XT, Classic, and Plus HS also available
ALEXA Studio
- Film-style optical viewfinder
- Rotating mirror shutter
- Available in XR and SXT versions
ARRI AMIRA
- Same sensor and image quality as ALEXA
- Ergonomic design for single-operator use
- Sliding dovetails for perfect shoulder balance
- Multi-channel audio with easy-access controls
- Ideal as a documentary camera
- Cost-efficient in-camera grading
- Frame rates up to 200 fps
ARRI ALEXA XT B+W
- Unique, black-and-white cinematography
Arri Alexa Mini Specs
- Higher resolution, sensitivity, and dynamic range
- No bayer mask, optical low-pass filter, or IR block filter
- Sees into the IR spectrum Radio shack swr power meter 21-524 user manual.
- In-camera ARRIRAW recording up to 120 fps
- Learn more here
Other cameras
ARRIFLEX D-21 hand-cranked
- ARRI's first digital camera system
- Adapted for silent-era mechanics
Panasonic VariCam 35
- Native 4K Super 35 capture
RED DSMC2
- Compact design and high spatial resolution
Get in touch
In your own words
Cinematographer Dan Laustsen ('John Wick: Chapter 3 - Parabellum')
In Morocco we shot a lot of handheld, so we used the Mini for that, and we used the Mini for Steadicam of course as well.
Cinematographer Hagen Bogdanski ('Berlin Station')
Without the flexibility of two ALEXA cameras with integrated accessories..we'd never have got through so many script pages a day.
Cinematographer Anthony Dod Mantle ASC, BSC, DFF ('Rush')
I love the optical viewfinder of the ALEXA Studio; I miss the calm experience of the purring mirror and gate of a 35 mm camera inside my head.
Digital 35 mm news
'Gemini Man' making-of featurette
Technical supervisor Ben Gervais explains how ARRI and ARRI Rental collaborated with director Ang Lee to customize ALEXA SXT M cameras for 3D images at 120 fps.
“The Last Black Man in San Francisco”
Cinematographer Adam Newport-Berra discusses his work on director Joe Talbot’s debut feature film, which picked up two awards at Sundance.
“John Wick: Chapter 3 – Parabellum”
Dan Laustsen ASC, DFF speaks to ARRI Rental about his camera and lighting techniques on the latest chapter of the John Wick series, directed by Chad Stahelski and starring Keanu Reeves.
Details
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
Strength and agility through state-of-the-art materials
To maintain ARRI’s famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated. These include highly integrated and sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount – also made of titanium – to ensure a super-stable flange focal distance, even when using large lenses. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage.
Versatile mounting and shooting options
The ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Light enough to be comfortably held at arm’s length in a hand rig, its compact size and extremely quiet operation also make it ideal for tight shooting conditions. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, the ALEXA Mini’s interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.
Uncompromised image quality for specialized shots
The overwhelming advantage of the ALEXA Mini is that it marries such a compact and lightweight form factor with the same unparalleled image quality that has made the ARRI ALEXA system a gold standard for the industry. Combine the Mini with any other ALEXA camera and you will have perfectly matched images.